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The Priceless Jewel
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The Priceless Jewel

Essays and Addresses
By Sangharakshita
ISBN 9780-904766-58-5
Read by Subhadra
The 13 essays in this volume address topics including: world peace and nuclear war; the issue of blasphemy; the possibilities for dialogue between Buddhism and Christianity; and a painting by El Greco.
The text of The Priceless Jewel is available at Sangharakshita.org in 'Ebooks'. This book is out of print, but the contents are printed in various volumes of Sangharakshita's Complete Works, available from Windhorse Publications
Contents
Preface
The Priceless Jewel
Aspects of Buddhist Morality
Dialogue Between Buddhism and Christianity
The Journey to Il Convento
Saint Jerome Revisited
Buddhism and Blasphemy
Buddhism, World Peace, and Nuclear War (Not recorded - see below)
The Bodhisattva Principle (Not recorded - see below)
The Glory of the Literary World (Not recorded - see below)
A Note on ‘The Burial of Count Orgaz’
Criticism East and West
Dharmapala: The Spiritual Dimension
With Allen Ginsberg in Kalimpong (1962)
Please note that Buddhism, World Peace, and Nuclear War; The Bodhisattva Principle; and The Glory of the Literary World were originally lectures. I have not recorded them, because they are available at freebuddhistaudio.com:

An extract from The Priceless Jewel

With Allen Ginsberg in Kalimpong (1962)
Our first meeting with a person often seems of special significance, especially in retrospect.This was certainly the case with my first meeting with Allen Ginsberg, which took place in Kalimpong, a small town in the foothills of the eastern Himalayas, in June 1962. Allen was on his first visit to India, and had been touring the holy places of Hinduism and Buddhism and making friends with Indians of all classes and creeds.I had lived in India for more than fifteen years, of which the last twelve or more had been passed in Kalimpong, after I had spent two years in South India as a wandering ascetic and a year in Benares studying Pali and Buddhist philosophy. In 1957 I had established, on the outskirts of Kalimpong, a small monastery which was already well known as a centre of interdenominational Buddhism, and it was in the sparsely furnished sitting room of this monastery that Allen and I had our first meeting.
Allen had already published 'Howl' and 'Kaddish' and was probably the most outstanding – certainly the best known – of the Beat Poets, but of all this I then knew nothing. Though I had read and written poetry from an early age, and was still reading and writing it at intervals, I was quite unaware of the more recent developments that had taken place in this field, whether in Britain or in the United States. In any case, my tastes were traditional rather than modernist, and it is doubtful if I would have felt much sympathy with the attitudes of the Beat Generation, at least so far as these were expressed in literature. Be that as it may, the fact that I knew nothing of the Beat Poets, and that Allen Ginsberg was not even a name to me, meant that when the slouching, dirty, dishevelled, hirsute figure appeared unexpectedly on my verandah one afternoon I could meet and greet him simply as a fellow human being.

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