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The Three Jewels
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The Three Jewels

The Central Ideals of Buddhism
By Sangharakshita
ISBN 1899579060
Read by Subhadra
Three precious jewels lie at the heart of Buddhism, radiating the light of awakening into the world, the Buddha Jewel: as symbol of Enlightment (the figure of the Buddha), the Dharma jewel: the path to Enlightenment taught by the Buddha, the Sangha jewel, the Enlightened followers of the Buddha down the ages who have truly devoted their lives to his teachings. This book illuminates these precious gems in a clear and radiating light

An extract from The Three Jewels

From chapter 7: The Essence of the Dharma
Many students of Buddhism are at first staggered by the vastness of the field before them and bewildered by the abundance of material. This is natural. Like Christianity and Islam, Buddhism is not only a teaching but a culture, a civilization, a movement in history, a social order, in fact a whole world in itself. It comprises systems of philosophy, methods of meditation, rituals, manners and customs, clothes, languages, sacred literature, pagodas, temples, monasteries, calligraphy, poems, paintings, plays, stories, games, flower-arrangements, pottery, and a thousand other things. All this is Buddhist, and often immediately recognizable as such. Whether it be a stone Buddha seated cross-legged in the jungles of Anuradhupura, a Tibetan sacred dance, a cup of tea between friends in Japan, or the way in which a bhiksu answers a question in London, everything is invisibly signed with the same mysterious seal. Sometimes it floats with the clouds between heaven and earth, shines in the rainbow, or gurgles over pebbles in the company of a mountain stream. 'Looked at, it cannot be seen; listened to, it cannot be heard.' Sooner or later, however, the student tries to identify it. He wonders what it could be that gives unity to all these diverse expressions, so that however remote in space and time, and however different their respective mediums, one perfectly harmonizes with another, creating not the dissonance that might have been expected but 'a concord of sweet sounds'. Eventually a question shapes itself in his mind, and at last he enquires, 'What is the essence of the Dharma?'
The best answer to this question would be the 'thunder-like silence' with which Vimalakirti, in the Mahayana sutra that bears his name, answered the bodhisattva Manjusri's question about the nature of Reality. Can we describe even the colour of a rose? But this apparently negative procedure the student would not find very helpful. Concessions must be made. Buddhism is essentially an experience. 'An experience of what?' Before answering this second question let us try to explain why, of all the words in the dictionary, 'experience' is the first term on which one falls back when compelled to abandon the 'thunder-like silence'. Unlike thought, experience is direct, unmediated; it is knowledge by acquaintance. Hence it is characterized by a feeling of absolute certainty. When we see the sun shining in a clear sky we do not doubt that it is bright; when a thorn runs beneath our fingernail we do not speculate whether it is painful. In saying that Buddhism is essentially an experience we do not suggest that the object of that experience in any way resembles the objects of sense-experience, nor even that there is an object at all. We simply draw attention to its unique unconceptualized immediacy. The relation between sense-experience and the one with which we are now concerned is merely analogical. For this reason it is necessary to go a step further and complete our definition by saying that the essence of the Dharma, of Buddhism, consists in a spiritual or transcendental experience. This is what in traditional terminology is called Enlightenment-experience.

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